Featured Icon: Eartha Kitt (January 17, 1927 – December 25, 2008) - Actress, Singer and Sex Symbol
Eartha Mae Kitt (January 17, 1927 – December 25, 2008) was an American actress, singer, and cabaret star. She was perhaps best known for her highly distinctive singing style and her 1953 hit Christmas song "Santa Baby". Orson Welles once called her the "most exciting woman in the world."[4] She took over the role of Catwoman for the third season of the 1960s Batman television series, replacing Julie Newmar, who was unavailable for the final season.
Kitt began her career as a member of the Katherine Dunham Company in 1942 and remained a member of the troupe until 1948. A talented singer with a distinctive voice, her hits include "Let's Do It", "Champagne Taste", "C'est si bon", "Just an Old Fashioned Girl", "Monotonous", "Je cherche un homme", "Love for Sale", "I'd Rather Be Burned as a Witch", "Uska Dara", "Mink, Schmink", "Under the Bridges of Paris", and her most recognizable hit, "Santa Baby", which was released in 1953. Kitt's unique style was enhanced as she became fluent in the French language during her years performing in Europe. Her English-speaking performances always seemed to be enriched by a soft French feel. She had some skill in other languages too, as she spoke four languages and sang in seven, which she effortlessly demonstrated in many of the live recordings of her cabaret performances.
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Kitt began her career as a member of the Katherine Dunham Company in 1942 and remained a member of the troupe until 1948. A talented singer with a distinctive voice, her hits include "Let's Do It", "Champagne Taste", "C'est si bon", "Just an Old Fashioned Girl", "Monotonous", "Je cherche un homme", "Love for Sale", "I'd Rather Be Burned as a Witch", "Uska Dara", "Mink, Schmink", "Under the Bridges of Paris", and her most recognizable hit, "Santa Baby", which was released in 1953. Kitt's unique style was enhanced as she became fluent in the French language during her years performing in Europe. Her English-speaking performances always seemed to be enriched by a soft French feel. She had some skill in other languages too, as she spoke four languages and sang in seven, which she effortlessly demonstrated in many of the live recordings of her cabaret performances.
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